Search: Starring Michael Keaton

A bad film with a capable director.

This is a short film about Catwoman weighed down by a lot of vague nonsense you'll end up skipping through.

Drawing on the grand guignol horror that its creator had loved since his own childhood, Beetlejuice combines gleefully gory special effects with high camp, sharp wit and irreverent humour.

Burton pieces together the components with a demonic rigour that belies its sequel status.

There's some great black comedy here, at times spectacularly cruel.

Let's hope that Pixar hasn't run out of gas.

Keaton half-deranged is an improvement on Keaton half funny.

I have to give credit for The Flash understanding it is derivative, repetitive, even repeating elements of its opening for comic effect.

Understanding the flaws in a character who respects the capitalist ideal while denying the danger of outsourcing integrity is a hard sell

Blandly inoffensive childrens entertainment that lacks creativity.

Mushy as a melted doughnut and so absurd it's cute.

The language is street smart, rather than clever chic and the acting inspires.

Minions is very funny.

There is both a warmth and a reserve to this film which, while covering serious ground, has a gentle humour running throughout.

In any film franchise there's got to be one that's the least good, and this is it.

If the smell of exhaust nauseates you and the sight of skinny grown boys going all the way with macho machines makes you want to take up cycling, stand well back

Wahlberg, perfect in his role, has fun sending up his macho persona.

Ditching the satirical elements for a more straightforward sci-fi 'issues' approach, Padhila goes for a more serious minded investigation of the man-machine control conundrum.

Duvall is crippled by an accent that lurches from Partick to Dublin and back again. His body language speaks to Cincinnati, rather than Sauchihall Street.

The balance between the individual and the bigger picture is perhaps the greatest strength of Homecoming.

Spotlight does not fall into the trap of explanatory flashbacks. We do not need to see the protagonists' past because we can tell so much from what they are wearing.

A dazzlingly confident and magical picture.

This is a clean-cut, old school script that has no time for messy interludes or spare chat, but this is a feature film not a documentary and the polish adds pace.

This is satisfying stuff, with a tense script that delivers the requisite amount of jumpy bits while hanging on to just enough reality to make the truly outlandish moments stand out.